"listening simultaneously demands openness to a surrounding world." – techNET
“Let us break out since we cannot much longer restrain our desire to create finally a new musical reality, with a generous distribution of resonant slaps in the face, discarding violins, pianos, double-basses and plainitive organs. Let us break out!”
Luigi Russolo, 1916
compiled and mixed by La Came & THX a.k.a. Villa Parsec Sound Club
“Our means of receiving impressions are absurdly few, and our notions of surrounding objects infinitely narrow. We see things only as we are constructed to see them, and can gain no idea of their absolute nature. With five feeble senses we pretend to comprehend the boundlessly complex cosmos”
H.P. Lovecraft
music by Claudio Simonetti, Goblin, John Carpenter, Pino Donaggio, Giuliano Sorgini, Clint Mansell, Fabio Frizzi, Walter Rizzati and other classic horror soundtrack composers
figura 119.
vedute di un continente immaginario.
cercavo un modello della forma delle coste naturali, ed era lecito pensare che avrebbe rappresentato, nello stesso tempo, il rilievo terrestre e anche la distribuzione delle aree delle proiezioni delle isole sulla sfera terrestre. per far ciò ho proposto una famiglia di processi stocastici che generano superfici aleatorie, famiglia dipendente da un parametro che si può fissare arbitrariamente e che è per l’appunto una dimensione frattale.Benoît B. Mandelbrot. gli oggetti frattali – forma caso e dimensione (pagina 118)
brani selezionati e mixati da La Came & THX a.k.a. Villa Parsec Sound Club
allego anche l’immagine gif (intera) di fractint, che ho usato per la copertina del mixtape
mixed by La Came & THX AKA Villa Parsec Sound Club
For a space that is ‘populated’:
Each cell with one or no neighbors dies, as if by solitude.
Each cell with four or more neighbors dies, as if by overpopulation.
Each cell with two or three neighbors survives.
For a space that is ’empty’ or ‘unpopulated’:
Each cell with three neighbors becomes populated.
VPSC — https://www.mammaiuto.it/category/soundclub/
streptos music blog — https://streptos-music.noblogs.org/
“Always the eyes watching you and the voice enveloping you. Asleep or awake, working or eating, indoors or out of doors, in the bath or in bed — no escape. Nothing was your own except the few cubic centimetres inside your skull.” — George Orwell. 1984
other correlated links:
website — http://www.autistici.org/2000-maniax/
internet archive – https://archive.org/details/@thx_2
soundcloud — http://soundcloud.com/thx-wc
mixcloud — http://www.mixcloud.com/thx/
weeloop — http://thx.weeloop.com/profile
jamendo — http://www.jamendo.com/en/user/thx1138
hearthis – https://hearthis.at/djthx/
ello – https://ello.co/thx
tumblr — http://futuresoundz.tumblr.com/ + http://thx-one.tumblr.com/
wc blog — http://writers-connection.noblogs.org/
officine cinematografiche blog — http://officine-cinematografiche.noblogs.org/
Complex Cognitive Material # 1 – Fango Radio Strips
selezione non mixata andata in onda l’8 ottobre 2019 dalle ore 23.00 a mezzanotte
https://www.fangoradio.com/strips/complex-cognitive-material/
Suoni futuribili dal passato e dal presente.
“Futuribile è il futuro che potrebbe realizzarsi date certe circostanze ma che rimane in un ambito di possibilità non necessariamente compiuta.”
tracklist:
1 – Squarepusher – untitled (2)
2 – Rubber Johnny – Pocket Drums
3 – Techno Animal vs. Dälek – Megaton
4 – Disorder – Revenge
5 – Amon Tobin – El Cargo
6 – JK Flesh – Obedient Automaton
7 – Painkiller – Blackhole Dub
8 – B. Bommersheim – Safety Recover (Rob Acid Violent RMX)
9 – Athos 1 – Reset Controllers
10 – Christian Vogel – Sister Stream
11 – Drexciya – Fusion Flats (original)
12 – Tunnel Vision – Deep Sea