It can be said, for me at least, that sampling, looping and re-assembling both found materials and site specific sounds selected for precision of relevance to thee message implications of a piece of music or a transmedia exploration, is an alchemical, even a magical phenomenon. No matter how short, or apparently unrecognizable a “sample” might be in linear time perception, I believe it must, inevitably, contain within it (and accessible through it), the sum total of absolutely everything its original context represented, communicated, or touched in any way; on top of this it must implicitly also include the sum total of every individual in any way connected with its introduction and construction within the original (host) culture, and every subsequent (mutated or engineered) culture it in any way, means or form, has contact with forever (in Past, Present, Future and Quantum time zones).
“Any two particles that have once been in contact will continue to act as though they are informationally connected regardless of their separation in space and time.”
– Bell’s Theorem
Thee Splinter Test (extract)
Genesis Breyer P-Orridge
source: “Book Of Lies The Disinformation Guide To Magick And The Occult”
these are some of the last tracks i recorded in the studio; first half of the show is ambient music, the second half is techno (or something similar) plus a remix of Industrial Skies by Walker i made time ago with the Ninja Jamm app
many thanks to the staff at Fango Radio
you can listen tho the past episodes here: https://www.fangoradio.com/shows/14
