No Hallucination – Psychick TV & White Stains
Correctum Profondis – Psychick TV & White Stains
A Message From The Future – John Carpenter & Alan Howarth
His Wit And Wisdom (band 5) – Malcolm X
No Nirvana (Prelude) – NON
Voodoo II (excerpt) – Lydia Lunch & Philippe Petit
Blackout – Scorn
Artèmis – Diamanda Galas
Global Net – Hybryds
Plants – The Residents and Snakefinger
Jesuspermary – M. T. T. Mauro Teho Teardo featuring Nurse With Wound
The Way It Will Be – Whitehouse
Angel Of Disease – Morbid Angel
<< Burroughs and Gysin chanced upon cut-ups, they had thee vision to see thee IMPLICATIONS. And discovering thee code of true implications is thee mark of real genius, really radical thought. Gysin hallucinated constructively whilst
travelling on a bus through France. Thee sunlight flickering through regularly spaced trees on his closed eyelids pulsing at slightly different phased intervals being thee key, coumbined with a particular frequency. He understood thee IMPLICATIONS, and with Ian Sommerville built thee DREAMACHINE, probably thee most important and thee most neglected anti-control, anti-drug device ever invented by mankind. Permanent visions and perceptual revelations for an occasionally replenished light-bulb. With T.G. we openly declared our primary interest was METABOLIC music, and thee application of cut-up techniques with tape and sound to non-entertainment motivated music directed at deconditioning social restraints on thought and body. In PSYCHIC TV we intend to apply our research and new information to building an even more precise and useful Individual structure that
consciously takes into account thee real effects of Frequency and Pulse butter propagandises them in a very deceptive and subliminal way. A distorted mirror reflecting muzak back on itself. An innocuous parody of style, tactic and structure that in fact contains, in code, thee seeds of its own destruction, and hopefully, thee structure that nurtures it. To appear deflowered yet to be totally potent. >>
MUZAK: A CONCEPT IN HUMAN ENGINEERING by Genesis Breyer P-Orridge
